›› 2016, Vol. 16 ›› Issue (1): 74-78.

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Dual Effects of Book of Songs to BoudoirPlaint Poetry from Standpoint of Creation and Interpretation

GUO Guanqun   

  1. (Anhui Normal University, Wuhu, Anhui 241000, China)
  • Received:2015-07-16 Online:2016-02-28 Published:2016-03-02

从创作与阐释角度看《诗经》对闺怨诗的双重影响

郭冠群   

  1. 安徽师范大学,安徽 芜湖 241000
  • 作者简介:郭冠群(1990-),女,安徽定远人,安徽师范大学文学院硕士研究生,研究方向:文学理论。
  • 基金资助:
    安徽师范大学研究生科研创新与实践项目“中国古代诗歌闺怨题材的流变研究”(2015cxsj054)

Abstract: BoudoirPlaint poetry is an important part of ancient Chinese poetry, which is very complicated, because a lot of them are mens endorsement. If direct writing of females sorrow is regarded as “tradition”, the poem that contains bailment is “variant”, both of which have direct relationship with Book of Songs. The creation of Book of Songs is the source of “tradition”, the interpretation of which is the source of “variant”. At the same time, the influence of the former prevails.

Key words: Book of Songs, BoudoirPlaint poetry, writing tradition, interpretation of trandition

摘要: 闺怨诗是我国古代诗歌的一个重要门类,大部分以男性代言的面目出现,有其自身的复杂性。如果把直接书写闺中幽怨的诗篇作为闺怨诗之“正体”,那么诗中蕴涵比兴寄托意味的诗篇则为闺怨诗之“变体”。这两种体式都跟《诗经》有直接关系。《诗经》的创作可直接作为闺怨诗正体的源头,后世的怨女情深即在此发端。其阐释启发了闺怨诗变体的形成,使得后世以男女之情抒君臣之感的诗篇均能在此寻找到理论依据。前者的影响是主要的。

关键词: 《诗经》, 闺怨诗, 创作传统, 阐释传统