Abstract: The distance between art and daily life gradually disappears with the rapid expansion of the cultural industry. The aesthetic redeem value and function of art has gradually become a Utopian imagination. As a modern art form, movie has the most prominent feature of modernity. It is not only the testimony of modern technology and industrial processes, but also the modern / postmodern embodied beauty and art. Paradox, opposite, reflexive not only constantly manifest in all kinds of images, but also highlight the Utopian nature of artistic redemption.

Key words: aesthetic redeem, daily life, Utopian, road movie

摘要： 在文化工业的快速扩张下,艺术与日常生活之间的距离逐渐消弭,其审美救赎的价值与功能亦渐成乌托邦想象。电影作为现代艺术形式，具有最突出的现代性特征——它既是现代技术与工业程序的见证，又是美与艺术的现代/后现代体现。悖论、对立与自反在各种形态的影像中不断彰显，更凸显了艺术救赎的乌托邦性质。

关键词: 艺术审美救赎, 日常生活, 乌托邦, 公路电影