›› 2017, Vol. 17 ›› Issue (5): 98-103.

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A Study of Transformation of Female Images in TV Plays: From Qiongyao Romance Drama to Palace Fighting Drama Legend of Miyue

REN Jie   

  1. (School of Humanities, Chongqing Jiaotong University, Chongqing 400074, China)
  • Received:2016-09-19 Revised:2016-12-06 Online:2017-10-31 Published:2017-10-14

电视剧女性形象变迁解析: 从琼瑶言情剧到宫斗剧《芈月传》

任洁   

  1. 重庆交通大学 人文学院,重庆 400074
  • 作者简介:任洁(1986—),女,湖南郴州人,重庆交通大学人文学院讲师,英国伯明翰城市大学、伯明翰媒体和文化研究中心访问学者,研究方向:影视文化、文化创意产业。

Abstract: Romance drama by Qiongyao and palace fighting drama are two types of domestic feminine drama with wide popularity in different periods. By breaking through the narrative space and pattern of the original typed ‘palace’, Legend of Miyue creates a female image with a spirit of higher independence. From Qiongyao drama to palace fighting drama it reflects transition of typed women images and two types of feminine culture. The transformation of these two typed female images is the development of screen feminine culture, which illustrates promotion of social value of women and construction on self-consciousness of female.

Key words: drama by Qiongyao, palace fighting drama, Legend of Miyue, female image, feminine culture

摘要: 琼瑶言情剧和宫斗剧是不同时期国内电视剧市场具有广泛流行度的两种女性题材类型剧。《芈月传》突破了宫斗剧原本类型化的“后宫”叙事空间和叙事模式,塑造了更具自主精神的女性形象,提升了宫斗剧的女性形象典范。从琼瑶剧到宫斗剧《芈月传》,反映了电视屏幕女性形象的更替和两种不同的女性文化。这一类型化女性形象的变迁是屏幕女性文化与时俱进的发展,折射出女性社会价值的提升和女性自我意识的构建。

关键词: 琼瑶剧, 宫斗剧, 《芈月传》, 女性形象, 女性文化