Abstract: Tharlo is a masterpiece of modern Chinese Tibetanlanguage film directed by Pema Tseden. According to the life and love of sheep herder Tharlo, this film represented state of life and situation about Tibetan people in modern society. Tharlos love pursuit and failure as well as his loss of memory, Symbolized that the traditional life which Paying attention to emotional relationship has been defeated by modern urban rationality based on the principle of money. These also were metaphors which contain the truth of subject and its collapse in modernity process. As a national fable of contemporary Tibetan peoples life, Tharlo drew the discomfort, escape and change of Tibetan area people who have taken turns disciplining by political discourse and urban rationality based on the principle of money. It also represented modernity experience and the dilemma of reality of identity anxiety, collapse of value system and subject fission and so on, which the whole Tibetan had to face under the impact of modernity.

Key words: Tharlo, modernity, city experience, collapse of subject, national fable

摘要： 万玛才旦的《塔洛》是当代中国藏语电影中的杰作，以牧羊人塔洛的生活与爱情呈现了现代社会中藏地人们的生活状态和处境。塔洛的爱情追求与失败以及记忆力的丧失，象征着重视情感关系的传统生活方式在奉行金钱原则的现代城市理性冲击下的溃败，隐喻了现代性过程主体的真相及其崩塌。《塔洛》作为当代藏地人们生活的民族寓言，图绘了当代以来藏人在政治话语和以金钱为原则的城市理性轮番规训下的不适、逃逸与豹变，表征了整个民族在现代性冲击下不得不面对的身份焦虑、价值体系崩溃和主体裂变等现代性体验与现实困境。

关键词: 《塔洛》, 现代性, 城市体验, 主体崩塌, 民族寓言