Abstract: From 1945 to 1965 Václav Trojan, one of the foremost Czech composers of the 20th century, collaborated with master animator JiArˇ1í Trnka on a series of stopmotion animated films, which later gained a reputation as some of the finest outcomes of Czech art in the aftermath of WWII.Trojan kept reworking his film music into new concert pieces well after Trnkas demise. The experimental features of those arrangements testify a strenuous research on musical dramaturgy, which transfigured Trnkas poetics and their take on Czech myths and folklore.The article studies how Trojans interpretation of Trnkas style perpetuated and enriched the image of the mythic past of the Czech nation constructed by their animated films, by referring to several compositions related to Trnkas film Bajaja (1950).

Key words: JiArˇ1í Trnka, Václav Trojan, Czech animation, stopmotion animation, music for animation

摘要： 1945—1965年间，瓦茨拉夫·特洛伊是20世纪最重要的捷克作曲家之一，他与动画大师伊里·特恩卡合作制作了一系列定格动画电影，这些电影成为第二次世界大战后捷克艺术的代表作。特恩卡逝世之后，特洛伊将他的电影音乐重新制作成新的音乐会作品。这些改编曲目改变了特恩卡的诗学观及其对捷克神话和民间传说的看法，作品中的实验性特征展现了他对音乐戏剧深入艰辛的研究。研究分析特恩卡的影片《巴亚雅王子》相关的几首作曲作品，探索特洛伊如何通过对特恩卡风格的理解，延续并丰富了他们在动画电影中构建的捷克民族神话形象。

关键词: 伊里·特恩卡, 瓦茨拉夫·特洛伊, 捷克动画, 定格动画, 动画音乐