›› 2020, Vol. 20 ›› Issue (2): 84-89.

Previous Articles     Next Articles

Allan Poes Sound Writing: A Rereading of The Fall of the House of Usher

YUE Junhui   

  1. (School of Foreign Languages, Hefei University, Hefei 230601, China)
  • Received:2019-09-06 Online:2020-03-20 Published:2020-04-01

爱伦·坡的声音书写:重读《鄂榭府崩溃记》

岳俊辉   

  1. 合肥学院 外国语学院,合肥 230601
  • 作者简介:岳俊辉(1977—),男,合肥学院外国语学院讲师,文学硕士,研究方向:英美文学。
  • 基金资助:
    安徽省教育厅人文社会科学重点项目“爱伦·坡小说文本中的权力话语研究”(SK2015A479);合肥学院教研重点项目“基于认知诗学的《英美文学》学习模式研究”(2018hfjyxm19)

Abstract: The colorful narrative styles in The Fall of the House of Usher draw constant attention of academic studies. However, sound narrative lost its sound unfortunately. In the short story, Poe employs many sound elements to assess Rodericks insane mental state. And by using the structure of music in music, he builds multilevel and soundechoing soundscape, and creates sound synaesthesia. He also uses sound changes, identity generalization and position shift to illustrate the quality of power in sound. Poes sound narrative can deepen the exploration of the inner mind of the figures in the stories, set up sound synaesthesia, and dig effectively the quality of power of the sound.

Key words: The Fall of the House of Usher, sound writing, synaesthesia, power

摘要: 《鄂榭府崩溃记》中的多样化叙事特征受到学界关注,但其声音叙事却遗憾的“失声”。爱伦·坡在此小说中大量使用声音元素,评估男主人公疯癫的“精神状态”。小说还依托“曲中曲”结构,构建多层次音景,营造声音通感。他借声音变化、身份泛化、位置转化等阐释声音的权力本质。爱伦·坡的声音书写能够深化人物心理探索,塑造声音通感,有效挖掘声音的权力特性。

关键词: 《鄂榭府崩溃记》, 声音书写, 通感, 权力