Abstract: The theory of universality of human nature inspired by the widely eulogized in the NeoClassical Age was not only the requirements of the times, but also the big gust of special traits of the shaping of the Shakespearean characters. His characters are frequently filled with conflicts and are represented in its duality, which piles up a wonderful view sight of his dramatic art among which are such as Hamlet, Othello, Macbeth, Shylock, Prince Hal and Sir John Falstaff. The paper purports to probe into the dual or multitudinous aspects of character via the dialectical principles of Marxist theories. Besides, by view of the Freudian PsychicZone Division theory, it is obvious that everybody in himself has included the good of the Superego guarded by the angelic morality principle, the bad of the Id by the pleasure principle and the waving vicissitudes in between. Thus the Freudian parallelistic semblances of the vivid dialecticality demonstrated by the specificality and universality which suggests conflicts between them that the Shakespearean art suits the working Marxist dialectical theories.

Key words: Shakespeare, character, Marxism, dialectical principles, universality

摘要： 巨人等，扮演的不是悲剧，就是喜剧，在现实中找不到同样的情景。

关键词: 莎士比亚, 性格, 马克思主义, 辩证法, 普遍性