Journal of Chongqing Jiaotong University Social Sciences Edition ›› 2023, Vol. 23 ›› Issue (2): 83-88.

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Reporter, the Professional, Traveler and Emissary A Study of ZHAO Tings Movies

ZHANG Huaiqiang1,2   

  1. [1]布鲁德 J.无依之地[M].陈雅婷,译.南京:江苏凤凰文艺出版社,2019. [2]孟君.互嵌式结构视阈中的“1997”电影现象:一个电影社会学的考察[J].北京电影学院学报,2018,35(6):58-65. [3]陈一壮.论埃德加·莫兰复杂性思想的三个理论柱石[J].自然辩证法研究,2007,33(12):6-7. [4]雷晶晶.论“缝合”:一个电影概念的梳理[M]//让-皮埃尔·欧达尔.电影与新方法.鲁显生,译.北京:中国广播电视出版社,1992:262. [5]孟君.作者表述:源自“作者论”的电影批评观[J].北京电影学院学报,2008,25(2):79. [6]凯鲁亚克 J.在路上[M].何颖怡,译.长沙:湖南文艺出版社,2020:78. [7]梭罗 H D.瓦尔登湖[M].王家湘,译.北京:北京十月文艺出版社,2009:323. [8]斯奈德 G.砌石与寒山诗[M].柳向阳,译.北京:人民文学出版社,2018:57. Reporter, the Professional, Traveler and Emissary A Study of ZHAO Tings Movies ZHANG Huaiqiang1,2 (1.College of Arts,Wuhan University,Wuhan 430072,China; 2.Department of Public Education, Yunnan Open University,Kunming 650223,China
  • Received:2022-06-20 Revised:2022-09-07 Online:2023-04-12 Published:2023-04-12

记者、能者、行者与使者 ——赵婷电影研究

张怀强1,2   

  1. 1.武汉大学 艺术学院,武汉 430072;2.云南开放大学 公共教学部,昆明 650223
  • 作者简介:张怀强,男,武汉大学博士研究生,云南开放大学副教授。
  • 基金资助:
    云南省教育厅科学研究基金项目“‘一带一路’视阈下东南亚华语电影创作及美学研究”(2019J1149)

Abstract: ZHAO Ting has won a lot of fame in the world movie field in recent years. The primary reason why Nomadland is universally recognized is that it has always adhered to the creation principle of recording social reality and caring for minority groups. Secondly, her comprehensive command of movie language is the internal reason for her to complete selfexpression and stand out from the worlds young directors. Moreover, the image of “on the road” created in ZHAO Tings movies is the deep reason for her unique artistic style and the failure of marvel movies. Finally, ZHAO Tings successful experience in crosscultural movie creation has an enlightening effect on the international communication of Chinese movies. The reporter, the professional, the traveler and the emissary are not only the characteristics of ZHAO Tings movies, but also the value of ZHAO Tings art.

Key words: ZHAO Ting; Nomadland; on the road; Eternals

摘要: 赵婷近年来在世界影坛载誉颇丰。她拍摄的电影《无依之地》获得普遍认可的首要原因在于其一直坚守电影记录社会现实和关爱少数族群的创作原则。其次,对电影语言的全能掌握是她能够完成自我表达与从中外青年导演中脱颖而出的内在原因。再者,赵婷系列电影创作生成出“在路上”意象是她形成独特艺术风格及造成漫威电影失败的深层原因。最后,赵婷跨文化电影创作的成功经验对中国电影实现更好“走出去”具有启示作用。记者、能者、行者与使者既是赵婷电影的特色所在,也是她艺术的价值所在。

关键词: 赵婷;《无依之地》;在路上;《永恒族》