Abstract: In the symbolistic poetics of the silver age in Russia, the “eternal woman” is an eternal, mysterious, and loving image. Unlike any earthly face, she exists only in premonition and hope, and is the “queen of heaven” and the patron of sinners. However, Remizov broke through the traditional concept of “eternal woman” and introduced “eternal woman” into the earthly reality. His “eternal woman” is a virgin who fell into the world and suffered with people, a woman of flesh and blood, a desperate and doomed “decadent suffering woman” in The Clock, and a “degenerate suffering woman” in Sisters of the Cross, whose body is defiled but her soul is still pure.

Key words: A.M. Remizov, eternal woman, The Clock, Sisters of the Cross

摘要： 在俄国白银时代象征主义诗学中，“永恒女性”是永恒、神秘、充满爱的形象，她不同于任何一个尘世面孔，只存在于预感和希望之中，是“天庭女王”和罪人庇护者的圣母。而列米佐夫突破传统“永恒女性”的概念，将“永恒女性”引入尘世现实之中。他的“永恒女性”是坠入尘世与人类一同受罪的圣母，是有血有肉的女性，是《钟表》中绝望的、注定受难的“颓废受难女性”，是《教妹》中肉体被玷污但灵魂依然纯贞的“堕落受难女性”。

关键词: 列米佐夫, 永恒女性, 《钟表》, 《教妹》