重庆交通大学学报(社会科学版) ›› 2022, Vol. 22 ›› Issue (2): 97-105.
• 文学艺术 • 上一篇 下一篇
陈矿
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CHEN Kuang
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摘要： 千百年来女性始终处于一种被动的历史地位，女性主义文学批评从各个方面声讨女人的社会及文化地位，试图颠覆菲勒斯中心，重新阐释被歪曲的女性形象。从女性主义文学批评的角度，比较研究法国作家莫里亚克的《苔蕾丝·德丝盖鲁》和台湾作家李昂的《杀夫》两部中篇小说，揭示两位女性主人公受压抑的历史，进一步揭示她们对男权世界的反抗精神。
关键词: 女性主义, 压抑 , 反抗, 莫里亚克, 李昂
Abstract: For thousands of years， women have always been in a passive historical position. Feminist literary criticism condemns womens social and cultural status from various aspects， trying to subvert the Phallocentrism and reinterpret the distorted female image.From the perspective of feminism， by the comparison between Mauriacs Thérèse Desqueyroux and LI Angs Kill Husband， this paper reveals the repressive history of the two female protagonists and further uncovers their spirit of revolt against the patriarchal world.
Key words: feminism, depression, revolt, Mauriac, LI Ang
陈矿. 挑破压抑的帷幕 寻找自由的灵魂[J]. 重庆交通大学学报(社会科学版), 2022, 22(2): 97-105.
CHEN Kuang. Pricking the Curtain of Depression and Looking for a Free Soul[J]. Journal of Chongqing Jiaotong University Social Sciences Edition, 2022, 22(2): 97-105.
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