重庆交通大学学报(社会科学版) ›› 2024, Vol. 24 ›› Issue (2): 92-96.

• 文学艺术 • 上一篇    

精神分析视阈下动画电影幻想文本的意象体现 ——以《深海》为例

张煜   

  1. 杭州师范大学 文化创意与传媒学院,杭州 310000
  • 收稿日期:2023-04-19 修回日期:2023-05-25 发布日期:2024-04-01
  • 作者简介:张煜,男,杭州师范大学文化创意与传媒学院讲师,博士。
  • 基金资助:
    四川省社会科学重点研究基地四川动漫研究中心资助项目“‘中国故事’视阈下国产动漫创作研究”(DM202218)

Embodied Imagination of Fantasy Text in Deep Sea from Perspective of Psychoanalysis

ZHANG Yu   

  1. School of Cultural Creativity and Media, Hangzhou Normal University, Hangzhou 310000, China
  • Received:2023-04-19 Revised:2023-05-25 Published:2024-04-01

摘要: “意象体现”主张在介于意识与无意识之间的阈限状态中,通过无意识内容意识化来实现治愈效果。动画电影《深海》将镜头对准社会层面的儿童抑郁,深入剖析抑郁症来完成叙事文本的意象体现,既保持了动画原本天马行空的幻想优势,又投射出富有现实价值的社会关照。作品深植角色心理,探究“意象体现”中意识与无意识下自组织复杂系统的治愈锚定,展现出独具一格的动画创作路径。

关键词: 《深海》;田晓鹏;幻想性文本;儿童抑郁

Abstract: “Embodied imagination” advocates the realization of healing effects through conscientization of the unconscious content in a threshold state between consciousness and unconsciousness. The animated movie Deep Sea focuses its lens on childrens depression at the social level, deeply analyzing the psychological symptoms of depression to achieve the imaginary representation of the narrative text. It not only maintains the imaginative advantage of the original animation, but also projects social care with rich practical value. The movie is deeply rooted in the characters psychology, exploring the healing anchoring of conscious and unconscious selforganizing complex systems in the image representation, showcasing a unique animation creation path.

Key words: Deep Sea; TIAN Xiaopeng; fantasy text; childhood depression