重庆交通大学学报(社会科学版) ›› 2015, Vol. 15 ›› Issue (2): 101-104.

• 历史文化 • 上一篇    下一篇

终极视域中的西方传统绘画艺术

郭德君   

  1. 重庆医科大学 医学人文研究中心,重庆 400016
  • 收稿日期:2014-08-08 修回日期:2015-03-12 出版日期:2015-04-30 发布日期:2015-04-30
  • 作者简介:郭德君(1977-),男,甘肃灵台人,重庆医科大学副教授,研究方向:管理学、哲学。

Analysis on Traditional Western Painting Arts from the Perspective of Ultimate

GUO Dejun   

  1. (Medical Humanities Research Center, Chongqing Medical University, Chongqing 400016, China)
  • Received:2014-08-08 Revised:2015-03-12 Online:2015-04-30 Published:2015-04-30

摘要: 以西方部分经典绘画作品为依据,发现西方传统绘画艺术一直展现出不懈求真的科学精神。依赖此精神,画家独特的审美情趣在对所描绘对象形式和内涵深刻揭示的过程中才能得到恰当阐释,从这种创作的指导思想和运用原则中,可窥见科学精神折射出的“主客二分”哲学思维对西方传统绘画艺术的重要影响。

关键词: 西方, 传统绘画艺术, 哲学思维, 主客二分

Abstract: Taking part of Western classical paintings as analysis basis, through analysis it was found that found that the traditional western painting arts exhibited the unremitting scientific spirit of pursuing truth. Relaying on this spirit, the unique aesthetic interests of painters can be interpreted properly in the process of revealing the form and content of the objects. From the guiding ideology and application principle of this creation we can find the important influence by the philosophical thinking model of separating subject and object which was reflected from the scientific spirit in traditional Western painting arts.

Key words: the West, traditional painting arts, philosophical thinking, the thinking model of separating subject and object