重庆交通大学学报(社会科学版) ›› 2024, Vol. 24 ›› Issue (5): 88-94.

• 历史文化 • 上一篇    

论居伊·德波对景观社会的批判与超越

陈毅   

  1. 郑州大学 马克思主义学院,郑州 450001
  • 收稿日期:2023-05-01 修回日期:2023-05-24 发布日期:2024-09-24
  • 作者简介:陈毅,男,郑州大学马克思主义学院讲师,博士。
  • 基金资助:
    国家社会科学基金青年项目“西方国家意识形态渗透的运演机制与防范策略研究”(22CKS041);郑州大学教育教学改革研究与实践一般项目“意识形态安全教育融入高校思想政治理论课教学研究”(2022ZZUJG129)

On Guy Debords Criticism and Transcendence on the Society of Spectacle

CHEN Yi   

  1. School of Marxism, Zhengzhou University, Zhengzhou 450001, China
  • Received:2023-05-01 Revised:2023-05-24 Published:2024-09-24

摘要: 随着商品生产和大众传媒的完美结合,以及整体社会生活的普遍性分离,景观社会具备生成的现实基础。在不同的历史条件下,景观通过集中、弥散与综合的模式统治社会,使整个社会生活陷入伪循环时间的消费陷阱,社会文化和意识形态也丧失否定的力量,社会主体最终沉迷于景观的虚幻世界不能自拔。为此,居伊·德波从组织形式、理论批判风格和实践方式的角度提出超越景观社会的前景规划。

关键词: 德波;景观社会;统治;商品;批判

Abstract: With the perfect combination of commodity production and mass media, as well as the universal separation of overall social life, the society of spectacle has a realistic foundation for its generation. Under different historical conditions, spectacle dominates society through centralized, dispersed, and comprehensive modes, causing the entire social life to fall into the consumption trap of pseudo cyclic time. The culture and ideology of society also lose the power of negation, and social subjects ultimately become addicted to the illusory world of landscapes and cannot extricate themselves. Based on this premise, Guy Debord proposed a prospect plan that transcends society of spectacle from the perspectives of organizational form, theoretical criticism style, and practical approach.

Key words: Guy Debord; society of spectacle; dominate; commodity; criticism