[1]李昕.谈歌唱的“二度创作”[J].重庆交通大学学报:社会科学版,2013(4):78-84. [2]吴汉东.知识产权法[M].北京:法律出版社,2009:65. [3]南振兴,刘春霖.知识产权前沿问题研究[M].北京:中国书籍出版社,2003:480. [4]王迁.论制作录音制品法定许可及在我国著作权法中的重构[J].东方法学,2011(6):50-58. [5]熊琦.音乐著作权许可的制度失灵与法律再造[J].当代法学,2012(5):3-10. [6]熊琦.音乐著作权制度体系的生成与继受[J].法学,2013(12):104-112. [7]代桂娥.“制作录音制品的法定许可”制度初探——兼评我国《著作权法》2012年修改草案第46条[J].经济研究导论,2012(17):177-178. [8]袁世华,刘远山.我国著作财产追续权立法障碍评析[J].重庆三峡学院学报,2013(5):138-141. [9]姚泓冰.录音制品“二次使用”与录音制作者权的完善[J].福建法学,2013(1):47-53. 〖JY〗 〖HTSS〗 〖JZ(〗〖WT4HZ〗Copyright Law Perspectives of Song Cover Behavior --Taking the Cover Incident of LI Daimo as an Example 〖WT5BZ〗TAN Ling 〖WT5”BZ〗(School of Law, Chongqing Technology and Business University, Chongqing 400067, China) 〖WTHZ〗Abstract:To some extent, covering disputes are due to some conflicts which are between copyright private rights and the right of public resources to obtain. Under the existing law, it is difficult for fair use system and statutory license system to balance the copyright owners, the performers and the public interest. Copyright law should retain the original legal license of recording product, delete provisos and expand the legal license use of performers, in order to balance the rights of society’s bodies such as copyright owners, the public and the performers. 〖WTHZ〗Key words:music cover; performing rights; fair use; statutory license 〖JY〗〖HT5”H〗