重庆交通大学学报（社会科学版） ›› 2018, Vol. 18 ›› Issue (4): 79-82.
• 文学艺术 • 上一篇 下一篇
董广
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DONG Guang
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摘要： 叙事模式是社会政治、文化特征在文学艺术界的反映，是文学艺术家们在创作过程中自觉或不自觉地形成的一种套路。陪都电影在叙事模式上呈现出“木兰从军”（女性革命叙事）、“革命的罗曼蒂克”（女性爱情叙事）和“娜拉出走”（女性成长叙事）三种明显的模式化倾向。这几种模式彰显了陪都电影的价值诉求，在本质上仍是革命叙事的“同质异构”。
关键词: 陪都电影, 女性叙事, 意识形态
Abstract: The narrative mode is the reflection of social politics and cultural characteristics in the literary art world, which is a kind of routine formed by literary artists consciously or unconsciously in their creative process. The films of the alternate capital on the narrative presented the “Mulan army” revolutionary narrative (women), “the revolutionary romantic” love narrative (women) and “Nora leaves” (female narrative) growth of the three obvious stereotyped tendency. All these patterns show that the value demands of the films are still the “homogeneity” of revolutionary narration in essence.
Key words: the film of alternate capital, female narrative, ideology
董广. 革命·爱情·成长 ——陪都电影女性叙事的三种模式[J]. 重庆交通大学学报（社会科学版）, 2018, 18(4): 79-82.
DONG Guang. Revolution Love Growth: the Three Modes of Female Narrative in the Films of Alternate Capitals AntiJapanese War[J]. , 2018, 18(4): 79-82.
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