重庆交通大学学报(社会科学版) ›› 2019, Vol. 19 ›› Issue (6): 41-46.

• 影视批评与实践 • 上一篇    下一篇

现实题材电视剧的“伪现实”现象批判

闫伟1,张佳欣2,邵将3   

  1. 1.中国电视艺术委员会,北京 100866;2.暨南大学 新闻与传播学院,广州 510632; 3.中国传媒大学 戏剧影视学院,北京100024
  • 收稿日期:2019-08-23 出版日期:2019-11-20 发布日期:2019-12-05
  • 作者简介:闫伟(1982—),男,中国电视艺术委员会主任编辑,文学博士,研究方向:电视艺术理论与创作;张佳欣(1997—),女,暨南大学新闻与传播学院2018级新闻与传播专业硕士研究生,研究方向:广播电视学;邵将(1990—),男,中国传媒大学戏剧影视学院博士研究生,研究方向:电视剧历史与理论。

Criticism of “False Reality” Phenomenon in Realistic TV Series

YAN Wei1, ZHANG Jiaxin2, SHAO Jiang3   

  1. (1.Chinese Television Arts Committee, Beijing 100866, China; 2.School of Journalism and Communication, Jinan University, Guangzhou 510632, China; 3.School of Drama and Film, Communication University of China, Beijing 100024, China)
  • Received:2019-08-23 Online:2019-11-20 Published:2019-12-05

摘要: 近年来,现实题材电视剧在我国电视荧屏上悄然回归并迅速崛起,随之而来的却是各种“伪现实主义”夹杂而生。为规避现实题材电视剧的“伪现实”现象,创作者应深入人民、扎根生活,用“工匠精神”耐心打磨作品,直击社会转型中的热点与痛点问题,创作出与人民和时代同频共振的作品。相关管理部门应给予政策上的适度引导并加强落实力度,共同促进现实题材电视剧“去伪存真,求善求美”的健康良性发展。

关键词: 现实题材电视剧, “伪现实”, “悬浮”, 批判

Abstract: In recent years, the realistic TV series have quietly returned to Chinese TV screens and have risen rapidly, but they have come with a variety of “pseudorealism”. In order to evade the “pseudorealism” phenomenon of realistic TV series, the creators should go deeply into the people, take root in life, use the “artisan spirit” to patiently polish the works, directly hit the hot spots and pain points in the social transformation, and create works that resonate with the people and the times. Relevant management departments should also give appropriate guidance on policies and strengthen implementation, and jointly promote the healthy and benign development of the realistic TV series to “winnow truth from falsehood”.

Key words: realistic TV series, “false reality”, “suspension”, criticism