重庆交通大学学报(社会科学版) ›› 2023, Vol. 23 ›› Issue (6): 95-102.

• 文学艺术 • 上一篇    

物·空间·神话 ——托卡尔丘克《衣柜》的叙事创新

覃才,苏仲乐   

  1. 陕西师范大学 文学院,西安 710119
  • 收稿日期:2022-10-19 修回日期:2023-01-02 发布日期:2023-12-13
  • 作者简介:覃才,男,陕西师范大学文学院博士研究生;苏仲乐,男,陕西师范大学文学院教授,博士,博士生导师。
  • 基金资助:
    国家社会科学基金项目“‘庶民研究’的知识谱系及其对中国当代文化理论的影响研究”(15BZW007)

Matter, Space and Myth: The Narrative Innovation of Tokarczuks Szafa

QIN Cai, SU Zhongle   

  1. College of Literature, Shaanxi Normal University, Xian 710119, China
  • Received:2022-10-19 Revised:2023-01-02 Published:2023-12-13

摘要: 波兰诺贝尔文学奖获奖作家奥尔加·托卡尔丘克是以小说叙事创新著称的作家,自称她的小说叙事为“第四人称讲述者”。小说集《衣柜》中的三篇小说《衣柜》《房号》《神降》分别以作为衣柜的物、作为酒店房间的空间、作为赛博格程序的神话原型三种形式,表现她所希望探索的“第四人称讲述者”形态与意义。在技术至上的时代,托卡尔丘克的“第四人称讲述者”既建构当代小说叙事的有效创新,又表达现代人与世界存在的问题及其救赎可能。

关键词: 奥尔加·托卡尔丘克;物叙事;空间叙事;赛博格叙事;叙事创新

Abstract: Polish Nobel Prize winner Olga Tokarczuk is famous for her fiction narrative innovation. She calls her novel narrative “fourth person narrator”. The three stories in the collection the Szafa, namely “The Szafa” “The Room Number” and “The Fall of God”, represent the form and meaning of the “fourth person narrator” that Tokarczuk hopes to explore in the form of the object as a closet, the space as a hotel room, and the mythical prototype of the cyborg program. In the era of the supremacy of technology, Tokarczuks “fourth person narrator” not only constructs the effective innovation of contemporary fiction narrative, but also expresses the problems existing in modern people and the world and its redemption possibility.

Key words: Olga Tokarczuk; object of narrative; spatial narrative; cyborg narrative; narrative innovation