关键词: 城乡二元, “农转非”, 盲井, 打工妹, 审美救赎

Abstract: In such fictions as Shoes, Holy Wood and Marriage with East Wind by LIU Qingbang, the significance of human salvation aesthetic writing has been represented in “nostalgia of first love” in Shoes, “fall at the bottom” in Holy Wood and “identity decontamination”in Marriage with East Wind by biographical, blind shaft and suicidal writing style, which reveals the psychological injury, the existence of survival disease and the unmentionable disease of the countryside via rural youths identity transformation of “nonagricultural household”, female migrant workers “hopeless returning home” and rural migrant workers blind shaft crime. Then the historical deep cause of the system, the stratum and the culture are probed into based on citycountry duality. In the case narration, a beam of sunshine is built towards the redemption of humanity.

Key words: citycountry duality, “nonagricultural household”, blind shaft, female migrant workers, aesthetic redemption